Faili:Velazquez-Meninas.jpg
Faili halisi (piseli 865 × 985, saizi ya faili: 128 KB, aina ya MIME: image/jpeg)
Faili hili linatoka Wikimedia Commons. Maelezo yapo kule kwenye ukurasa wake wa maelezo unaonekana hapo chini.
|
This file has been superseded by Las Meninas, by Diego Velázquez, from Prado in Google Earth.jpg. It is recommended to use the other file. Please note that deleting superseded images requires consent.
|
Muhtasari
Diego Velázquez: Las Meninas | |||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
artist QS:P170,Q297 |
||||||||||||||||||||||||
Jina |
Las Meninas |
||||||||||||||||||||||||
Object type | painting | ||||||||||||||||||||||||
Utanzu | group portrait | ||||||||||||||||||||||||
Depicted people | |||||||||||||||||||||||||
Tarehe |
1656 or 1657 date QS:P571,+1656-00-00T00:00:00Z/8,P1319,+1656-00-00T00:00:00Z/9,P1326,+1657-00-00T00:00:00Z/9 |
||||||||||||||||||||||||
Medium |
Mafuta juu ya Canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
||||||||||||||||||||||||
Dimensions | 318 × 276 cm | ||||||||||||||||||||||||
Mkusanyiko |
institution QS:P195,Q160112 |
||||||||||||||||||||||||
Accession number |
P001174 (Museo del Prado) |
||||||||||||||||||||||||
Place of creation | Hispania | ||||||||||||||||||||||||
Exhibition history | |||||||||||||||||||||||||
References |
|
||||||||||||||||||||||||
Udhibiti wa mamlaka | |||||||||||||||||||||||||
Source/Photographer | www.oneonta.edu - "Las Meninas" | ||||||||||||||||||||||||
Ruhusa (Kutumia faili tena) |
|
||||||||||||||||||||||||
Matoleo mengine |
Camera location | 40° 24′ 49.68″ N, 3° 41′ 31.2″ W | View this and other nearby images on: OpenStreetMap | 40.413800; -3.692000 |
---|
Items portrayed in this file
depicts Kiingereza
Las Meninas Kiingereza
digital representation of Kiingereza
Las Meninas Kiingereza
coordinates of the point of view Kiingereza
40°24'49.7"N, 3°41'31.2"W
Las Meninas Kiingereza
Historia ya faili
Bonyeza tarehe/saa kuona faili kama ilivyoonekana wakati huo.
Tarehe/Saa | Picha ndogo | Vipimo | Mtumiaji | Maelezo | |
---|---|---|---|---|---|
sasa hivi | 18:23, 25 Februari 2009 | 865 × 985 (128 KB) | Calliopejen1 | Reverted to version as of 19:32, 28 November 2004 - broke imagemap template in use in en.wiki | |
17:26, 22 Januari 2009 | 1,378 × 1,611 (540 KB) | Paris 16 | |||
21:30, 21 Januari 2009 | 1,378 × 1,700 (1.83 MB) | Paris 16 | |||
19:32, 28 Novemba 2004 | 865 × 985 (128 KB) | Stw | "Las Meninas" by Diego Velázquez |
Matumizi ya faili
Hakuna kurasa zozote zinazotumia faili hii.
Matumizi ya faili ulimwenguni
Wiki nyingine hutumia faili hizi:
- Matumizi kwa hy.wikipedia.org
- Matumizi kwa lfn.wikipedia.org
- Matumizi kwa pl.wikipedia.org
- Matumizi kwa ru.wikipedia.org
Data juu
Faili hili lina maarifa mengine, yamkini kutoka kemra au skana iliyotumiwa kulitengeneza au kuliandaa kwa tarakilishi.
Kama faili limebadilishwa kutoka hali yake ya awali, inawezekana kwamba vipengele kadhaa vitakuwa tofauti kuliko hali ya picha ilivyo sasa.
Maoni juu ya faili ya JPEG | VELÁZQUEZ, Diego Rodriguez de Silva y
(b. 1599, Sevilla, d. 1660, Madrid) Las Meninas 1656-57 Oil on canvas, 318 x 276 cm Museo del Prado, Madrid This is a composition of enormous representational impact. The Infanta Margarita stands proudly amongst her maids of honour, with a dwarf to the right. Although she is the smallest, she is clearly the central figure; one of her maids is kneeling before her, and the other leaning towards her, so that the standing Infanta, with her broad hooped skirt, becomes the fulcrum of the movement. The dwarf, about the same size as the Infanta, is so ugly that Margarita appears delicate, fragile and precious in comparison. On the left in the painting, dark and calm, the painter himself can be seen standing at his vast canvas. Above the head of the Infanta, we see the ruling couple reflected in the mirror. The spatial structure and positioning of the figures is such that the group of Las Meninas around the Infanta appears to be standing on "our" side, opposite Philip and his wife. Not only is the "performance" for their benefit, but the attention of the painter is also concentrated on them, for he appears to be working on their portrait. Although they can only be seen in the mirror reflection, the king and queen are the actual focus of the painting towards which everything else is directed. As spectators, we realize that we are excluded from the scene, for in our place stands the ruling couple. What seems at first glance to be an "open" painting proves to be completely hermetic - a statement further intensified by the fact tbat the painting in front of Velázquez is completely hidden from our view.
Author: VELÁZQUEZ, Diego Rodriguez de Silva y Title: Las Meninas Time-line: 1601-1650 School: Spanish Form: painting Type: portrait |
---|